Songwriting Reading List

A songwriter potentially has to know about a lot about a lot: lyric writing and language, music theory, composing, storytelling, creativity, psychology, collaboration, performance, singing, arranging, recording and production, intellectual property, contract law, marketing, distribution, revenue streams, networking, entrepreneurship and business skills. To get an overview of what is involved in songwriting, read my pages on the Songwriting Pentagon (Lyrics, Melody, Harmony, Song Structure, Arranging), and the Oxford Songwriting Syllabus.

In the meantime, I have split this reading list into just 3 sections:

    1. Lyric writing (including Song Structure)
    2. Music writing / Composing (Melody and Harmony)
    3. General – including books that aim to cover the whole subject of songwriting, creativity, and the music business (as well as touching upon Arranging and producing)

Lyric writing

Davis, Sheila (1985) The Craft of Lyric Writing, Writers’ Digest

I absolutely love this book, and believe that anyone serious about songwriting, or lyric writing, should get to know this book inside out. The book will help you understand song structures, the use of language, working with the sounds that words make, marrying words with music, telling stories, coming up with song ideas, and much more. [I am currently writing up my notes on this book, and will post them on the website.] Another popular title by Davis: Successful Lyric Writing: A Step by Step Course and Workbook (2001)

Davis, Sheila (1992) The Songwriter’s Idea Book, Writer’s Digest, USA

“40 strategies to excite your imagination, help you design distinctive songs, and keep your creative flow”. This book is full of useful exercises that help lyricists develop their creativity and craft skills. It also helps writers to understand their strengths and temperament, and shows how to avoid falling into the traps of becoming stale, repetitive or predictable.

Forsyth, Mark (2013) The Elements of Eloquence: How To Turn the Perfect English Phrase, Icon Books, London

This is not likely to be on many songwriters’ shelves, but I think it makes a great contribution to any songwriter’s reference library. This a very entertaining read that shows how memorable (not neccesarily ‘great’) quotations and lines become memorable because of the linguistic tricks that writers through the centuries have used. Forsyth gives lots of famous examples, and manages to demonstrate each of the linguistic devices in the way he explains each one. A great teacher! [Read my notes]

Furia, Philip (1992) Poets of Tin Pan Alley: A History of America’s Great Lyricists, OUP

This is a great read. Furia analyses many song lyrics of famous songs (1900-1950) of a repertoire of song often referred to as ‘the great American songbook’. There is a reason so many of these songs are not only memorable, but timeless classics that are still being covered by new artists now, 70-80 years later. Songwriters can learn much from studying the songwriting geniuses of the past. [Read my notes]

Hammerstein II, Oscar (1949) ‘Notes on Lyrics’, in Hammerstein, William (ed.) (2002) Lyrics by Oscar Hammerstein II, pp. 3-48

This is a beautiful, important and inspiring essay, and is as relevant to songwriters now as it was when Hammerstein first wrote it. [Read my notes]

Jenness, David and Velsey, Donald (2005) Classic American Popular Song: The Second Half-Century, 1950-2000, Routledge.

This picks up from the year where Philip Furia (‘Poets of Tin Pan Alley’) finishes.

Lees, Gene (1987) ‘How To Write Lyrics’, in Modern Rhyming Dictionary

The introduction to the dictionary is short and packed with useful advice, with a particularly interesting section on the difference between using sophisticated or more direct vocabulary. He has wise advice about syllable combinations that are easy or hard for singers. [Read my notes]

Lennard, John (2005) ‘Introduction’ in New Oxford Rhyming Dictionary, pp. ix-xxxii

This is a clear description of different kinds of rhyme and rhyme schemes in poetry and lyrics. [Read my notes]

Pattison, Pat (2009) Writing Better Lyrics: the essential guide for powerful songwriting, Writer’s Digest

This book has short chapters that get straight to their point every time. Pattison shows how different uses of language (a change of tense, the use of a pronoun, playing with an image) can send a lyric off course, or make it hit just the right spot. The exercises are easy to understand, and well worth doing. Pattison is the principal teacher of songwriting for the Berklee College of Music that also runs online courses. Among the books used on the course are:

    • Essential Guide to Lyric Form and Structure: Tools and Techniques for Writing Better Lyrics (1991)
    • Songwriting Without Boundaries: Lyric Writing Exercises for Finding Your Voice (2012)
    • Songwriting: Essential Guide to Rhyming: A Step-by-step Guide to Better Rhyming and Lyrics (2014)

Rhyming dictionary

Every songwriter should keep more than one rhyming dictionary to hand. Some people have said it makes a writer lazy. My view is that we want to find as many different rhymes as possible, in order to open our minds and creativity, and that rhyming dictionaries can help us do that.

Modern Rhyming Dictionary A Practical Guide To Lyric Writing For Song (1987) Cherry Lane Music

Useful for American rhymes (not always the same as British!).

New Oxford Rhyming Dictionary (2006 / 2012) OUP

These rhymes are based on British pronunication. Songwriters need to consider what accent they are writing for, as rhymes depend on this.

Songwriter’s Rhyming Dictionary, Souvenir, London

[Read my notes] for Cahn, Sammy (1984) ‘Introduction’, pp. xiii-xliv

Rooksby, Rikky (2006) Lyrics: Writing Better Words for Your Songs, Backbeat

As with all Rooksby’s books, this is a very practical, hands-on guide. It has ’30 ways to find inspiration’, guidance on titles, playing with language, telling stories

‘Sammy Cahn, Beverly Hills, California 1991’, an interview in Zollo (1991/2003), pp.27-36

[Read my notes]

Sondheim, Stephen (2010) Finishing the Hat: The Collected Lyrics of Stephen Sondheim, with attendant comments, principles, heresies, grudges, whines and anecdotes

Sondheim’s own account of what makes for good lyric writing, and how this combines with music, is essential reading. Just reading his lyrics is an eeducation in itself. [Read my notes]


A thesaurus is an essential part of any songwriter’s toolkit. It provides synonyms and words that are closely related. I like having a printed copy of Roget’s Thesaurus on my shelves but there are also some great ones online.

Music writing / Composing

Perricone, Jack (2001) Melody in Songwriting: tools and techniques for writing hit songs, Berklee Guide

If we really want to develop as composers, we must immerse ourselves in as much music as possible, and in as many different styles as possible. Our brains must absorb the deep structures and patterns of music and sound by listening to and making every possible type of music.  That way, music becomes our ‘mother tongue’ which we can express ourselves. At the same time, it is extremely useful to learn in a more technical way how music is put together. Perricone (co-founder of Berklee College of Music) has written an excellent book on what melody is, how it can be shaped in different ways for different effects, and its relationship to harmony, rhythm, song structure, style, and so on.

Rooksby, Rikky (2000) How To Write Songs On Guitar: a guitar-playing and songwriting course, Backbeat Books, pp. 117-136

Rikky (see his website) is a walking encyclopedia of songs and songwriting methods, and author of a multi-volume series on songwriting for Backbeat Books. He has also  published over 200 interviews, reviews, articles and transcriptions in music magazines. [Read my notes on his ideas on lyric writing] Also take a good look at:

    • How To Write Songs On Keyboards: a complete course to help you write better songs (2005)
    • Lyrics: writing better words for your songs (2006)

Wilder, Alec (1972) American Popular Song: The Great Innovators, 1900-1950, OUP

While Philip Furia’s book (‘Poets of Tin Pan Alley’) focuses on the lyrics of the period, this focuses on the music, and these two books work well as a pair. Wilder provides some incisive analysis of the music. One could argue that he has failed to give proper attention to the importance of the marriage of words with music. However, this is a classic, and benefits from its author having worked with many of the composers he mentions. [my notes forthcoming]


These books often cover more than one topic from a list that includes: songwriting, song structure, creativity, the music business, legal issues.

Aschmann, Lisa (2008) 1000 Songwriting Ideas, Hal Leonard

This is a fabulous book for getting the creative juices flowing. Starting points include ideas for lyrics, titles, topics, harmony, melody, rhythms / groove etc.

Bradford, Chris (2005) Heart and Soul: Revealing the Craft of Songwriting, Sanctuary Publishing

Bradford wrote this with the full endorsement of the British Academy of Songwriters, Composers and Authors (BASCA) – and yes, it is worth your while thinking about joining. The book is full of practical ideas about the craft of songwriting, with key interviews, advice and insights from successful British songwriters. Most importantly, this book is packed with important guidance on how the music business works, how to protect your intellectual property, and has lists of songwriting competitions, showcase opportunities, industry organisations, reading lists and useful websites.

Byrne, David (2013) How music works, Canongate, London

The author David Byrne, is described in Wikipedia as “singer, songwriter, musician, record producer, artist, actor, writer and filmmaker who was a founding member, principal songwriter and lead singer and guitarist of the American new wave band Talking Heads (1975–1991).” This is a fascinating personal journey through the world of music, creativity, psychology, business, the digital world, intellectual property, theatre, recording, collaborating, storytelling and many more topics. Because of the breadth of Byrne’s experience, his brilliant mind and ability to communicate, Byrne has written a book that could inspire any songwriter.

Harford, Tim (2016) Messy: how to be creative and resilient in a tidy-minded world, Little, Brown, London

A mind-expanding book on the liberating and “creative benefits of disorganisation, improvisation and confusion”. While this is an excellent resource for opening up our thinking, we need to balance creative chaos, randomness and spontaneity with personal discipline, structured thinking, and the ability to hold sharp focus.

Hawkins, Simon (2016) Song Maps: a new system to write your best lyrics, Great British Book Publishing, London

This is a self-published book by a songwriter who has had some success in the world of Christian songwriting. It is light on ideas, many of which can be found in multiple free internet articles, but is handy as a very quick read. My sense is that his seven templates or ‘Song Maps’ would work best in faith-based, inspirational or self-help songs, and certainly leave out a number of the tried-and-tested song structures. Hawkins has also published an accompanying workbook.

Horowitz, Mark Eden (2010) Sondheim on Music: Minor Details and Major Decisions (2nd edition), Scarecrow Press

This book is for geeks (I love it!). It assumes a decent level of knowledge of music theory, and requires commitment from the reader, but is worth the effort. It works through the musicals, looking at the manuscripts, not pads and rough drafts, with detailed interviews answers from Sondheim about his creative process as a composer and lyricists. [If you want the key learning points, then read my notes]

Perricone, Jack (2018) Great Songwriting Techniques, Oxford University Press, UK


Rachel, Daniel (2013) Isle of Noises: Conversations with great British songwriters, Picador

The excellent British equivalent of Paul Zollo’s American ‘Songwriters on Songwriting’, this book contains fascinating summaries of the songwriters’ careers and notable songs, along with interviews about their creative process. Contributors include: Ray Davies, Robin Gibb, Jimmy Page, Joan Armatrading, Paul Weller, Sting, Madness, Annie Lennox, Billy BRagg, Damon Albarn, Noel Gallagher, Jarvis Cocker, Lily Allen and others.

Sennett, Richard (2008) The Craftsman, Penguin, London

An inspiring exploration of thinking, creativity, making, and the values of the craftsman.

Stolpe, Andrea, with Jan Stolpe (2015) Beginning Songwriting: writing your own lyrics, melodies and chords, Berklee Press

Stolpe is one of the main teachers for the Berklee College of Music. She gives some excellent ways into writing, whether you start with a groove / rhythm, a chord sequence, a fragment of a tune (melodic motif), an image, a random collection of words, a story, a single word or a title. The exercises are very do-able, and enjoyable – some of them can be done with songwriting groups and buddies. The book also contains some useful beginner information on music theory (notation, note lengths, scales and keys, rhythms, chords and harmony etc).

Webb, Jimmy (1999) Tunesmith: Inside the Art of Songwriting

This is often recommended on booklists for songwriters, and I can see why. It is packed full of the life experience of a very successful songwriter. Webb explores creativity, lyric writing, harmony, song structure, the music business, building a career, collaborating and much more. I think he is too quick to dismiss the world of classical music, and suspect it is an area he may not be particularly with – either its music, or its techniques. However, this is a useful book for any aspiring, or even professional, songwriter. [Read my notes]

Zollo, Paul (1991/2003) Songwriters on Songwriting, Da Capo Press

This is the detailed work of years of interviews with several generations of songwriters. We hear the writers talking about music, lyrics, songwriting and the music business, and insightful anecdotes about the creation of specific songs that are now part of our international heritage. Zollo has done us an enormous service in putting together this collection.